- #Canon 5d mark iii vs 6d video movie#
- #Canon 5d mark iii vs 6d video 720p#
- #Canon 5d mark iii vs 6d video update#
- #Canon 5d mark iii vs 6d video manual#
- #Canon 5d mark iii vs 6d video code#
File size restricted to 4 GB maximum new file is automatically created when the 4GB limit is reached.
Video duration limited to 29 minutes, 59 seconds.Movies can be "trimmed" in-camera, selecting just the portion you want and optionally saving it as a new file, but edits must be made in one-second increments, not at precise frames.
#Canon 5d mark iii vs 6d video update#
Cannot currently output uncompressed feed via HDMI, but Canon has promised a firmware update due in April 2013 that will allow an 8-bit YCbCr 4:2:2 video feed without any overlays via HDMI. #Canon 5d mark iii vs 6d video code#
Drop frame function will correct time code slip at 29.97 or 59.94 fps, but not at 23.967 fps. Time code can be displayed on-screen during capture and playback. Time code is recorded in hours, minutes, seconds, and frames, and can be reset, set to camera time, or set freely. #Canon 5d mark iii vs 6d video movie#
Records time code, and can be set to continue to increment code regardless of capture status, or only while movie capture is underway.3.5mm stereo headphone connection with 10-step volume adjustment for audio monitoring.Optional wind cut filter function reduces levels for low-frequency audio.VU (audio level) meter display before and during recording.Touch-pad settings control allows instant, near-silent adjustment during shooting.
#Canon 5d mark iii vs 6d video manual#
Automatic or 64-step manual level control.
Optional 16-bit, 48KHz, 1,536 Kbps Linear PCM audio from internal monaural microphone or external 3.5mm stereo mics. If lens supports optical image stabilization, this operates at all times before and during capture unless switched off on the lens. LCD brightness must be adjusted before capture starts. Seven-step LCD brightness adjustment available, plus automatic brightness adjustment with three-step override based on ambient light level sensor. Capture can be started and stopped with dedicated movie button, main shutter button, or optional RC-6, RS-80N3, or TC-80N3 remote controls. Single autofocus with face detection and adjustable AF point, available before or during movie recording continuous autofocus is not possible. Metering method is fixed, and set automatically depending on the focusing mode. 
TTL (through the lens) evaluative or center-weighted average metering using the main image sensor. If the attached flash strobe has an LED light, the 5D Mark III can automatically enable it in low-light shooting. Features like color space, white balance, picture control, auto lighting optimizer, peripheral illumination correction, chromatic aberration correction, and highlight tone priority are all available for video. Sensitivity ranges from ISO 100 to ISO 12,800, and can be expanded to ISO 25,600 under automatic control. Shutter speeds range from 1/4,000 down to 1/30 seconds. Exposure compensation and lock are available. Manual mode allows automatic or manual ISO control sensitivity is controlled automatically in all other modes. Program, Aperture-priority, Shutter-priority, or Manual exposure are possible. Minimal rolling shutter and moiré / aliasing. Choice of two compression types ALL-I (intraframe) or IPB (interframe). MOV file format, with variable bitrate MPEG-4 AVC/H.264 encoding. Here's a quick rundown of its video capabilities, along with our usual selection of sample videos at the bottom. The Canon 5D Mark III's video feature set is comprehensive, as you'd expect given its price point and target market. #Canon 5d mark iii vs 6d video 720p#
There are still a few things absent that we've seen from competitors, such as full-time autofocus, the ability to capture still images during video, and to shoot 720p video at frame rates below 50p, but we're nitpicking. A promised firmware update will add uncompressed HDMI video output to the list. The 5D Mark III's offers both automatic and manual exposure control, single autofocus (but not full-time AF), audio levels control, internal and external microphone support, audio monitoring, timecode support, a choice of interframe / intraframe compression types, and more. The 5D Mark III takes that heritage and builds upon it, with a robust feature-set indeed, and an important addition slated to arrive from April 2013. (Regular photos taken with the Canon EOS 5D Mark III)Ĭanon's 5D Mark II proved extremely popular with professional videographers for its combination of creative options, and its relatively compact, affordable body compared to dedicated movie cameras. (Thumbnails of all shots, including RAWs, with EXIF data) (Index to all standard test shots, with explanations)
Canon EOS 5D Mark III Sample Images page. (Crops from images shot with the camera's kit lens, if sold as a kit) Check out the links below for more sample images, videos and image quality analysis:
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